Friday, 30 September 2016

Samyang Confirms: Autofocus Lenses Coming for Canon and Nikon

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The news that Samyang was finally making autofocus lenses was a big deal, but for some reason the company decided to launch the first two lenses in only Sony FE mount. That, it seems, will soon change.

In an interview with Focus-numerique, Jeong Min Shin, the head of product planning at Samyang, revealed that Canon and Nikon mount AF lenses are already in the works.

“We started the implementation of an autofocus optical FE frame and we are adapting to other mounts, like Canon and Nikon,” says Shin, implying the work is already in progress. “We also believe in Fujifilm and Micro 4/3, but these markets are not very important.”

So far, Samyang has released two AF lenses: an 50mm f/1.4 and 14mm f/2.8, both of which could potentially be adapted to Canon and Nikon mount. As for Fuji and Micro Four Thirds, it looks like both of these markets are still not big enough for Samyang to prioritize.

(via Photo Rumors via Nikon Rumors)

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Aura is Resurrecting the Digital Picture Frame with Sleek, Feature Rich Design

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“I get it digital picture frames are dead, uninteresting things that we all tried and left on the wayside with fax machines and 8-track tapes,” wrote Aura founder Abdur Chowdhury a few days ago. “But what if they weren’t?”

The Aura digital picture frame is the answer to that question: “what if they weren’t?” Chowdhury and his team imagined what would have happened if digital picture frames hadn’t joined a race to the bottom (of our trashcans) by killing features in the name of cheap prices and never innovating in any way, shape or form, and came up with the Aura frame.

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Sleek, beautiful, and feature rich, this 8×12 digital picture frame isn’t a stocking stuffer for your grandparents. Aura features a retina display, syncs seamlessly with an intelligent smartphone app, has a slew of intelligent built-in sensors, and even features some neat gesture control.

TechCrunch got an early look at Aura, and seemed to be impressed by the features they found.

For one, the frame’s dedicated mobile app not only syncs photos you take, it uses facial recognition and other tricks to sync only specific photos and keep out the bad ones. It also lets you collaborate, so more than one person can send photos to the same frame.

Once you’ve got pictures in the frame, Aura goes a step further by interacting with the environment. When the lights turn off, so does the frame, pictures are updated when you leave the room, and you can use swiping gestures in front of the frame to switch photos manually. It really is a digital picture frame that belongs in 2016.

Here’s a quick video intro so you can see what the Aura actually look and acts like:

If you’re still skeptical about the future of the Aura frame, you’re probably not the only one. But there are people who believe in this concept. The company just raised a $6M Series A round of funding led by Spark Capital, and are already planning to release updates and upgrades (including different sizes) in the future.

The current first-generation Aura will cost you $400 when it becomes available. To find out more, or if you’d like to get an email notification when Aura arrives, head over to the company’s website by clicking here.

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These Composite Photos Put the Size of Msssive Things in Perspective

AER Lets You Literally Throw Your GoPro for Aerial Shots on the Cheap

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AER is based on the premise that you don’t need a drone to capture sweet aerial shots. Nope, just snap your GoPro into this Nerf football looking thing, turn the camera on, and throw it with all your might.

When we say Nerf, we’re not far from the truth. AER is simply a foam dart designed to fly straight and far while protecting your GoPro in an enclosure at the very front. All you have to do it screw it open, pop your GoPro Hero 3+, 4, or 5 in, and let ‘er rip.

Here’s a quick Kickstarter intro so you can see exactly the kind of footage you can expect to get using AER:

There’s really not much more to explain. Co-founder Mark de Boer and his friends loved the idea of a drone, but wanted a cheaper way to get their GoPros airborne, so they designed the AER.

Now, photos like these aerial selfies were only a decent toss away:

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It’s not exactly 4K DJI Mavic Pro footage or anything, but you’re also not going to be paying a DJI Mavic Pro price. Currently about a quarter funded on Kickstarter, the AER can be yours for the Early Bird pledge price of just $55.

To learn more or secure your AER before all the Early Bird deals are gone, head over to the Kickstarter campaign page by clicking here.

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Photographers Upset by ‘Ask First’ Stickers at BDSM Folsom Street Fair

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The Ask First Campaign is not primarily about photography, it’s about consent. But when the campaign’s popular stickers and their message was recently applied to photographers taking pictures of people at a public BDSM fair without asking, the proverbial claws came out.

The Folsom Street Fair is an annual BDSM and fetish event held in San Francisco, CA every September. It caps off Leather Pride Week and, as you might have already guessed, is extremely not safe for work. It’s also where the idea for the Ask First Campaign was born when creator Maxine Holloway found herself being groped and prodded by complete strangers who definitely didn’t have permission to do any of those things.

Instead of leaving never to return to an event like this again, Holloway created the Ask First Campaign, which passes out stickers and temporary tattoos with the slogan written on them and promotes the idea of consent in public places. They’ve passed out thousands of their stickers since the campaign launched in 2014, and last year they even set up an Ask First Photo Booth at the fair for people to pose with the stickers.

You may have seen them around, not only at the Folsom Street Fair, but even at more mainstream events like Burning Man.

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So what does this have to do with photography? In the age of smartphone cameras, facial recognition software, and the Internet, Holloway believes the idea of consent in public places has everything to do with photography. It’s also something that bumps up against the legal right to take pictures in a public space.

It’s this tension that Holloway receives angry emails from photographers about, and it’s what sparked this rant by a photographer named Tony Perez. Last Saturday, as people were preparing to head out to this year’s Folsom Street Fair, Perez took to Facebook to vent his frustration over the stickers (in rather colorful language).

His status, screenshot below, has gone viral:

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Strong language aside, Perez is, of course, 100% in the clear legally. The debate that his reaction has sparked, however, is less about whether or not he’s standing on solid legal ground, but solid moral or ethical grounds.

We reached out to Holloway—who told SFist she’s received several emails from photographers that mirror Perez’s reaction—to ask her what she thinks.

You can find her response below:

I think photographer’s that have this type of response are entitled and obtuse. Consent is important and is about more than just sex. As a photographer myself, I believe there are three things we need to consider when thinking about consent and the camera:

  1. The “legal right” right to photograph someone in public is irrelevant. One only has to look to the recent Brock Avery Case to understand that the law does not always allocate what is right, just, or consensual.
  2. Street photography has changed since the days of Gary Winnogrand taking photos on the streets of NYC in the 60’s. The internet, cell phone cameras, and facial recognition technology is a game changer when it comes to ethics and standards of street photography. The repercussions of someone being identified on the internet at the Folsom Street Fair versus being identified at a music festival, and where that image can travel, deserves a more nuanced conversation. As culture changes, the ‘how and why’ we capture people’s image is necessary discourse.
  3. The Ask First Campaign is also addressing the fact that nowadays everyone has a camera in their hands. At events like the Folsom Street Fair, people are using cameras in offending ways: SLR’s and cell phones are repeatedly forced into people’s personal space when taking “up-skirt” photos and snapping close-up pictures of people’s breasts.

These three things are not separate, and are all indicative of people believing they are owed or have the right to someone’s body. This is eerily similar to how our society excuses sexual violence and rape culture at large. I have very little empathy or tolerance for that type of ‘entitlement’ rational, weather it is about someone’s body or image.

This is why Holloway has extended the Ask First campaign to include what she calls “consensual photography.” She’s even published a set of guidelines to help photographers navigate these admittedly charged waters when attending an event like the Folsom Street Fair:

A photo posted by Ask First (@askfirstcampaign) on Sep 24, 2016 at 3:17pm PDT

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This conversation is not a comfortable one to have, but it’s one photographers should have.

One the one hand are those who believe you wave your right to any kind of privacy when you step into a public space, and limiting photography in any public space is a slippery slope. On the other are those who believe this is an issue that is easily navigated by considering the bounds of courtesy and common sense—in other words, “ask first.”

What side of the debate you fall on is up to you, one thing is for sure though: any public debate about photographers and photography is one photographers need to be a part of.


Image credits: Photographs by Cat Donohue and Courtney Trouble, respectively. Used courtesy of the Ask First Campaign.

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Macro Timelapse Captures Incredibly Colorful Coral Species Moving

About a year ago, Barcelona-based production company myLapse set out to capture some of the most colorful coral species on Earth in a way the naked eye simply could never pick up. They wanted to show these living creatures actually moving, so they turned to timelapse.

The resulting macro timelapse video, titled simply enough “coral colors,” is an incredibly vibrant and entrancing production. Shot over the course of a full year and made up of some 25,000 frames, it shows some of the Earths most beautifully colored species of coral undulating, blossoming, and closing up at their own measured pace.

“In this video we have tried to show movement and the enormous chromatic beauty of corals, a kind of marine animals that despite being one of the oldest animals on our planet, are mostly unknown,” write myLapse in the video description. “You will discover its stunning beauty, its spectacular colors and the mystery of its movements.”

Some of the species are so colorful and strange as to seem almost unreal:

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The video was created, in part, to help raise awareness for the Great Barrier Reef, a natural wonder whose continued existence is threatened by climate change and industrial projects.

To find out more about this project, head over to the myLapse website. And if this doesn’t quite satisfy your need for beautiful coral timelapses today, check out Slow Lapse, the incredible focus stacked timelapse of coral we featured back in 2014.

(via Colossal)


Photo credits: All photographs courtesy of myLapse.

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